A lady came up to me on the street, pointed at my suede jacket and said, "Don't you know a cow was murdered for that jacket?" I said "I didn't know there were any witnesses. Now I'll have to kill you too".
We argue so much today about 'democracy' versus 'totalitarianism'. Democracy presupposes intelligence of the masses;* totalitarianism does not to the same degree. But a 'democracy' without intelligence of the masses under modern conditions can be a worse human mess than any dictatorship could be.
Our whole past experience is continually in our consciousness, though most of it sunk to a great depth of dimness. I think of consciousness as a bottomless lake, whose waters seem transparent, yet into which we can clearly see but a little way.
What the artist tries to do (either consciously or unconsciously) is to not only capture the essence of something but also to amplify it in order to more powerfully activate the same neural mechanisms that would be activated by the original object.
It seems evident that everything which exists in nature, is natural, no matter how simple or complicated a phenomenon it is; and on no occasion can the so-called 'supernatural' be anything else than a completely natural law, though it may, at the moment, be above and beyond the present understanding.
The truth is, that common-sense, or thought as it first emerges above the level of the narrowly practical, is deeply imbued with that bad logical quality to which the epithet metaphysical is commonly applied; and nothing can clear it up but a severe course of logic.
When I was 17, I read a quote that went something like: “If you live each day as if it was your last, someday you’ll most certainly be right.” It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: “If today were the last day of my life, would I want to do what I am about to do today?” And whenever the answer has been “No” for too many days in a row, I know I need to change something.
